AKG 414 (2)
The C414 XLS is an astonishing microphone. Engineered for highest linearity and neutral sound, it maintains the reliable sonic character of the legendary C414 B-ULS (the longest-lived C414 model) while introducing some astonishing new features. The 5-pattern C414 has been one of the most universal and versatile large diaphragm microphone for decades — widely used for accurate, exquisitely detailed pickup of acoustic instruments. Now, the C414 XLS sets a new benchmark in microphone versatility by introducing a 9-pattern design, while achieving reference-quality results through leading-edge technology and state-of-the-art components.
AKG D112
The D112 MKII's specially engineered diaphragm with a very low resonance frequency maintains solid and powerful response below 100Hz, while a narrow band presence rise at 4kHz punches through dense mixes with little or no added EQ. The result is a kick drum sound that ideally balances precise definition and forceful impact. The D112 MKII is also an excellent choice for use with bass cabinets, trombones, and other bass instruments.
Audix i5
Designed with a cardioid pickup pattern for isolation and feedback control, the i5 all-purpose dynamic instrument microphone is equipped with a VLM™ diaphragm for natural, accurate sound reproduction. The i5 is used for stage, studio, and broadcast applications and is able to handle SPLs in excess of 140 dB without distortion.
The i5 cardioid microphone can be used to microphone a wide variety of musical instruments, guitars, and bass cabinets as well as vocals and speech. With a wide frequency response of 50 Hz – 16 kHz, the i5 provides clear sound reproduction without having to rely on EQ.
Ear Trumpet Myrtle
Large-diaphragm condenser microphone with spring-suspended retro styling. Ideal for live vocal performance use, or single-micing small acoustic ensembles.
The sound is a wonder of modern acoustic design that thrives in current stage environments, taking warm, detailed sound and astonishing feedback rejection with a low end tuned for accurately capturing acoustic instruments from any distance and a low noise and natural clarity to work wonderfully in the studio as well.
EV 635A
The classic 635A live interview wired microphone is the most popular (ENG) electronic news gathering mic in the world. It delivers great sound with an omnidirectional polar pattern that prevents the user from sounding "off mic," and works to eliminate plosives and other proximity effects using its built-in shockmount and pop filter.
EV RE 20
The exceptional performance of the RE20 is achieved by using a large Acoustalloy diaphragm in combination with an exceptionally low-mass aluminum voice coil. Using this diaphragm assembly, the RE20 is capable of reproducing extremely high sound pressure levels with no fear of the overload and distortion often experienced with phantom-powered condensers. The RE20 will also continue to function flawlessly in high humidity and elevated temperatures that would seriously degrade competitive condenser microphones.
A massive steel housing and effective humbucking coil assure the RE20's resistance to magnetically induced hum and noise. This means the RE20 can be used successfully in situations where other microphones would experience unacceptable levels of hum and buzz. By exploiting the strength of its steel housing and employing a mechanical nesting concept, EV designers have created an exceptionally rugged microphone with superior handling noise rejection ideally suited for professional uses.
Neumann km184
The KM 184 is a state-of-the-art small diaphragm condenser microphone with a uniform, frequency-independent cardioid polar pattern. Its very natural, transparent sound with very low self-noise and high SPL capability have made the KM 184 a worldwide stage and studio standard for many applications ranging from classical piano to heavy metal drums.
Neumann U87
The U 87 Ai is the epitome of a large diaphragm condenser microphone. Its tapered body and iconic headgrille design have become part of the collective consciousness: This is what a studio microphone looks like. The same is true of its sound: The U 87 Ai represents studio quality; it has become the gold standard by which other microphones are measured.
What sets the U 87 Ai apart is its unique combination of linearity and character. Although its on-axis frequency response is remarkably flat, it does exert certain charisma. It just sounds right! This makes the U 87 Ai both versatile and instantly recognizable.
Oktava MK 012
The MK-012 is suitable for use in any situation where an accurate sound is required, the small size of the system makes it ideal for use in broadcast, sound for picture, installation, sound reinforcement and theatre situations as well as the recording studio.
In pairs, the MK-012s are perfectly suited for coincident and spaced stereo miking techniques, and also overhead useage in live and studio situations.T
Shure SM57
The sound of the SM57 isn't the only thing that makes it a fantastic workhorse microphone. Its tight cardioid polar pattern gives you exceptional isolation. In fact, one of the reasons the Shure SM57 is such a popular snare drum microphone is that you can position it to reject the sound of the nearby hi-hat. But the SM57's stellar off-axis sound rejection is not only great in the studio. Onstage, it's easy to position the SM57 so that it won't pick up the sound of the PA, allowing you to get maximum gain before feedback.
Sennheiser 421
The MD 421-II’s cardioid pattern offers outstanding feedback rejection, making it an excellent choice for live situations or recording environments where bleed from other instruments may be an issue. And the five selectable bass roll-off settings control proximity effect, so you can use the MD 421-II in close-miking situations and still get clean, clear response with no unnatural bass boost.
Shure SM58
One of the most outstanding things about the Shure SM58 is that you can stick one in front of any kind of vocalist (and most instruments, for that matter) and get excellent results. It's a fact - even though it's best known today for its near indestructibility, no one would have cared about the SM58 in the first place if it didn't sound amazing. The secret to the SM58's sound is its critically tuned frequency response, which cuts out low-end rumble and adds a noticeable rise in the upper-mid frequencies. This deliberate presence peak adds warmth and clarity to your vocals, but it also lets you get the most out of a wide range of sources, including guitar cabinets, brass, and many other instruments.
Shure KSM32
The Shure KSM32 is jam-packed with the pro-level features you’d expect from a microphone of this caliber. An internal shockmount minimizes handling and stand noise, while an integrated 3-stage protection grille reduces plosives and other breath noises. A -15dB pad tackles high-SPL sources like a champ, while a variable highpass filter counteracts proximity effect and mechanical rumble. At Sweetwater, we’ve found the KSM32 to be a top performer in critical applications. It captures a variety of sources — vocals and instruments alike — with the utmost in transparency, and can handle loud sources like drums, percussion, and guitar amplifiers. If you want crystal-clear recordings, use what pros have used for decades — the Shure KSM32.
Shure SM81
The Shure SM81 offers top-shelf performance in an endless array of applications and environments. Its uniform cardioid pickup pattern offers exceptional isolation with minimum off-axis coloration, while its ultra-smooth response curve ensures accurate sonic reproduction of anything you put in front of it. It exhibits low noise and high output, along with a negligible level of distortion over a wide range of load impedances. Low RF susceptibility mitigates radio interference. What’s more, the SM81 features super-rugged vinyl-coated steel construction and is field-usable in an infinite range of temperature and humidity conditions.
Shure SM7B
This dual-band switchable passive EQ offers low cut and presence boost controls. Flat or with the low cut, the SM7B is an amazing mic for male dialog and vocals, but a switch of the presence boost makes it an excellent choice for bright sound sources and sibilant vocalists. It can also take up to 180dB, which makes the SM7B a top choice for pounding bass drum and full-tilt guitar and bass cabs.
OUTBOARD
Audient DSP800
ASP800 is an audio powerhouse designed to transform sessions into world class recordings. ASP800 provides 8 channels of Audient’s renowned console mic preamps, class-leading Burr-Brown converter technology, two JFET D.I’s and two Retro channels with tone control.
DAV BG501
The DAV Electronics BG501 is a high quality API 500 Series Mic-Pre and DI. The BG501 features a 3 LED VU meter for monitoring input and a high accuracy gain control as well as a 26db pad for recording high SPL audio. The DAV BG501 has 48v phantom power which is switchable for using condensor microphones and has switchable phase.
The DAV Electronics BG501 has a solid build quality and features low noise and low distortion making it a great front end for any audio recording.
DAKING Mic-Pre IV Mk II
The US made Daking Mic Pre IV MKII utilizes all discrete Class A circuitry with high gain, using the same Jensen transformers on inputs and outputs we use on our other gear. It is a fine example of exemplary audio quality and craftsmanship in the tradition of a great British console. Coming in under $600 per channel. Each input offers a stepped (5db) gain control using Daking’s signature aluminum knobs, a 20-segment LED level meter with +24db peak indicator, switchable +48V phantom power, switchable input phase and switchable 20dB pad.
The Daking Mic Pre IV MKII is housed in a robust all stainless steel enclosure with an outboard 48volt DC power supply in a separate housing, offering not only durability but shielding from noise and RF interference. The attention to detail extends to high end internal components, including gold bifurcated contacts on all relay switching.
Heritage HA73
The rack mountable Heritage Audio HA73 Preamp presents the classic sounding recording preamp that, for generations, has been regarded for its rich, musical qualities and its ability to dramatically improve the sound of almost any source. Further, it includes the same exact great sounding JFET DI circuit found in the ´73JR and a fully discrete class A high pass filter.
With 80 dB of available gain and dedicated mic, line, and instrument inputs; the HA73 Elite has everything you need to bring microphones and instruments to life with vintage vibe and thickness.
The HA73 Elite features gain, output trim, -20db pad, polarity reverse, a high pass filter, and +48v phantom power. It comes housed in a rugged 1RU British steel chassis and utilizes an external power supply for low noise operation. The HA73 features Carnhill input and output transformers as well as high quality pots and switches.
Neve 511 Portico
The Rupert Neve Designs Portico 511 Mic Pre combines some of the best features of leading Neve channels, including the 517 preamp, and the 5012’s sweepable High-Pass Filter. The Portico 511 is a great addition to any recording studio's 500 series rack, an extremely versatile preamplifier that is suitable for any application.
This transformer based, Class-A preamp can have up to 66 dB of dynamic range, each click of the preamp is in 6 dB increments for easy recall. The 511 is a TLA non-reactive design that precludes the loading of microphones with limited driving capability, this gives the 511 its signature Neve sound quality with very musical harmonic distortion. With the 511, the Texture control allows the preamp to be pushed even further, adding about 10 times the desirable THD of the original signal. A trim pot is included on the front panel for the perfect input to the preamp.